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Saturday 20 August 2011

Jogayya Reviews

Review: Jogayya fails to live up to expectation


The curious journey of Madesha from Jogi to Jogayya  unravelled on screens today.Jogayya, the 100th film of Shivarajkumar, released amidst great fan furor, tells the story of Madesha alias Jogi after his mother's death.

In Jogi, we saw Madesha (Shivarajkumar), who is from a small village, come to the city in search of a job and in the process become underworld don Jogi. Madesha is close to his mother who comes to the city in search of him. The film ends with the mother dying without meeting her son. It was the mother-son relationship that had made the film a huge success. 

Jogayya talks of what happens to Jogi after his mother's death. Jogi decides to cut off ties with the underworld and leaves for Mumbai. He even manages to find a job as a helper in a Kannada household. But it's not long before his unsavoury past catches up with him. The police catch him in Mumbai and bring him back to Bangalore. However, he is freed for lack of evidence. He then decides to take over the underworld. How long will he survive it this time?
Jogi had enough action to please Shivarjkumar's many fans. But what had worked more for that film was the beautifully etched mother-son relationship. In Jogayya, director Prem does not want to let go of that theme, but he overdoes it a bit. 'Mother sentiment' rules the roost here too. There are enough and more musical echoes from Jogito remind us of the beautiful relationship that they shared. Added to that are the dialogues that harp on the value of a mother. 

Those who waited six long years for Madesha to wield his machete in full force to destroy his enemies again, are in for a disappointment. Our Jogayya is very economical with the bloodshed. 

Joggayya's screenplay is not very powerful. Jogi came with a cross narration that kept viewers at the edge of their seats throughout the film. But in Jogayya, the narration is a hotch-potch. What's more, the story wavers in the second half. Political and media bashing take centre stage. Investing the same energy to refine the script would have been a better idea. 
So what then lives up to the hype that was generated? Songs, undoubtedly. Harikrishna has done a fair job and all credit to Prem for having come out with different concepts in each song. His lyrics add value as well. He has put technology to good use too. 

Why else would one want to watch the film? For Shivarajkumar. The actor has the same energy, innocence and aura of Jogi. His body language and expressions do the talking. He gets his emotions right all the way. He also experiments with his looks and costumes.

Pooja Gandhi is cast in small role. Heroine Sumeet Kaur is mostly limited to songs. 

Jogi was undoubtedly more powerful than Jogayya




Jogayya – Movie Review: A good family entertainer




Hat-trick hero Shivaraj Kumar's much-anticipated movie 100th movie Jogayya (Jogaiah), which is a sequel to Jogi, has finally hit the screens. Blockbuster movie Jogi was simply an entertainer, but its sequel is a family drama with a beautiful message for all Kannadigas. Director Prem is once again successful in creating rich production values.

Shivanna's wonderful performance is major highlight of the movie Jogayya. Though it is a family drama, Prem has nicely blended all commercial elements. V Harikrishna's fantastic music, stunning stunts, wonderful costumes, superb art and graphic works, good comedy and dance sequences and beautiful locations are its other attractions. But the movie lacks punch in dialogues, which may disappoint pranksters.Jogayya begins with Sharath Lohithashwa's prologue about the origin of underworld and ends by creating an awareness in youth about the voting. Although Jogi's mother is dead in the movie Jogi, Prem has managed to include mother sentiment in Jogayya. Shivanna sees mother's love in everyone's mother's eyes and feels it. Moreover, the mother sentiment haunts the audience every now and then throughout the film. The film criticises the existing political situation of Karnataka. It throws light on Yeddiyurappa's drama of acquiring farmer's land in the name of global investment, the dark future of rowdyism, Kumaraswamy's alleged way of wooing the voters. It also takes heavily on the money minded nature of media. Director Prem has chosen a nice screenplay and he has got a tight grip on the tempo. His interesting narration makes the audience watch the happenings silently. Usually, Shivanna's movies will have loud cheers throughout the screening. But here viewers can hear it only once at the beginning. There are no cheers in the middle and the climax of the movie makes the audience forget their whistling and shouting and keep brooding over the political situation in Karnataka and their folly. The movie starts where Jogi ended and hero Jogi a.k.a Madesha has become Jogayya (Shivaraj Kumar) here. He has left rowdyism and has been staying at a place in North Karnataka for three years. He is looking after cattle at a rich man's house. His master's daughter (Sumit Kaur Atwal) secretly develops love for him and it is she who gets him released from Jail. What happens next when he comes out of prison will form an interesting part of the movie and it should be watched onscreen. After the movie Jogi, Shivaraj Kumar once again sets out as the showman in Jogayya. He fights, dances, makes the audience cry and laugh and does everything to impress them. Finally, he becomes successful in his attempt. Sumit Kaur Atwal has less scope in the movie, but she has used it to prove her mettle. As lawyer, Pooja Gandhi has also done a good job. Other aritstes have also delivered wonderful performance.Jogayya has sound technical elements and the production of the songs is the major highlight of the movie. The songs themselves are worth of your money. V Harishkrishna has composed beautiful music for all the songs, which are catchy, trendy and good to listen. The picturisation, lyrics, costumes, art direction, graphic work, locations and lighting are simply superb. Editing and other technical stuffs are also commendable. The movie has been made wonderfully, but it does not mean that there are no drawbacks in it. The movie has several lapses and inconsistencies, which go unnoticed due to the interesting narration of the story. Overall, it is a perfect entertainer movie, which should not be missed out this weekend. Watch it in theatres.

JOGAYYA REVIEW


Hat-trick hero Shivaraj Kumar's much-anticipated movie 100th movie Jogayya (Jogaiah), which is a sequel to Jogi, has finally hit the screens. Blockbuster movie Jogi was simply an entertainer, but its sequel is a family drama with a beautiful message for all Kannadigas. Director Prem is once again successful in creating rich production values.Shivanna's wonderful performance is major highlight of the movie Jogayya. Though it is a nice family drama, Prem has nicely blended all commercial elements. V Harikrishna's fantastic music, sunning stunts, wonderful costumes, superb art and graphic works, good comedy and dance sequences and beautiful locations are its other attractions. But the movie lacks punch in dialogues, which may disappoint pranksters.

Jogayya begins with Sharath Lohithashwa's prologue about the origin of underworld and ends by creating an awareness about the voting in youth. Although Jogi's mother is dead in the first movie Jogi, Prem has managed to include mother sentiment in Jogayya. Shivanna sees mothers love in everyone's mother's eyes and feels it. Moreover, the mother sentiment haunts the audience every now and then throughout the film.The film criticises the existing political situation in Karnataka. It throws light on Yeddiyurappa's drama of acquiring farmer's land in the name of global investment, the dark future of rowdyism, Kumaraswamy's alleged way of wooing the voters. It also takes heavily on the money minded nature of media.
The movie starts where Jogi ended and hero Jogi has become Jogayya (Shivaraj Kumar) here. He has left rowdyism and has been staying at place in North Karnataka for three years. He is looking after cows and buffaloes at a rich man's house. His master's daughter (Sumit Kaur Atwal) secretly develops love for him and it is she who gets him released from Jail. What happens next when he comes out of prison will form an interesting part of the movie and it should be watched onscreen.

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